Call Sheet Media acquires thriller Redwoods from Dan Dougherty

Call Sheet Media has acquired Redwoods, a contained psychological crime thriller from screenwriter Dan Dougherty set in Northern California’s redwood forests. The project centers on an FBI profiler hunting ritualistic killings, with themes of trauma, mythology and cultural conflict built into the case.

Why it matters: - Redwoods adds a new thriller-crime feature to Call Sheet Media’s slate with a hook built for elevated suspense audiences. - The story mixes FBI procedure, ritual murder, and cultural tension, giving the project a broader thematic lane than a standard serial-killer mystery. - The film is set in Northern California’s redwood forests, turning the natural setting into part of the suspense engine.

What happened: - Call Sheet Media acquired Redwoods, a modern thriller-crime feature from screenwriter and communications executive Dan Dougherty. - The announcement was made Aug. 17, 2026. - The film follows Eva Yang, an FBI profiler who returns to a sacred redwood forest to investigate ritualistic killings. - Eva works with FBI Agent Reed Bandon as the case escalates.

The details: - Redwoods is described as a contained psychological thriller. - The story blends ritualistic murder, cultural mythology, FBI profiling, personal trauma and a widening conspiracy tied to fear and manipulation. - Eva is cut off from the Bureau and forced to confront a killer who has turned ancient myths into a language of violence. - As the investigation deepens, the case pulls in staged murders, fear, activism, public pressure and questions about cultural appropriation. - The antagonist is described as the Redwoods Killer. - The project tagline is: “Mythology becomes murder in the dark shadows of a redwood forest.” - Dougherty has more than 30 years of professional storytelling experience in advertising, public relations, strategic communications and screenwriting. - Dougherty holds an MFA in Screenwriting. - His prior projects include Dearborn, later adapted into the television pilot Stinger, plus Angel Creek and The Lowtide Lounge. - Dougherty says the idea came from camping in the coastal Redwood forests and imagining the woods as a place for murder. - The film is built around the tension between institutional procedure and primal fear.

Between the lines: - Call Sheet Media’s quoted response frames Redwoods as a visually immediate and emotionally grounded project with strong cinematic appeal. - The company is positioning the forest itself as a psychological pressure chamber, not just a backdrop. - Dougherty is also pitching the story as a commentary on how trauma, identity and mythology can be weaponized. - That positioning suggests the project is aiming for the lane between prestige crime drama and commercial serial-killer suspense.

What's next: - Call Sheet Media will move forward with Redwoods as part of its feature development pipeline. - The project is being targeted at audiences drawn to contained suspense, character-driven crime stories and atmospheric thrillers. - No production start date, cast or release timeline was announced.

The bottom line: - Redwoods is being sold as a moody FBI thriller where the forest, the folklore and the case all work against the lead investigator.